Artists must be able to talk and write about their own work, and to think about other artists’ work in relation to their own. Many students find a great resonance between critical thinking about the art of their own time and the critical choices involved in their own art making.
The department consists of a core of full-time faculty and a larger group of part-time faculty from other departments in the School, the museum, and the Chicago area. Art History faculty are in close contact with the studio areas. As teachers and advisers, they are available to students for discussion of studio work. Students will find studio faculty teaching courses on issues in twentieth-century arts, and art history faculty giving critiques in the studios, bridging what might otherwise be an artificial gap between art history and art making. This integration of theory and practice is one of the special characteristics of the School.
Faculty of the Department of Art History, Theory and Criticism teach not only the traditional history of art through period, region and style, but are continually exploring the process of art making: the connection between what artists convey (content) and how they convey it (form); the way new technologies and materials create new techniques; and how artists themselves change in changing societies.
The department’s curriculum includes classes in individual media: the history of photography, film, video, performance, textiles, ceramics, costume, printmaking, and others. While the department emphasizes the nineteenth and twentieth centuries, its curriculum includes courses on Asian, African, Oceanic, African American, Latin American, Caribbean, and Native American art. Numerous courses are based on themes, concepts, and issues such as the artist in society, the grotesque, realism, art and politics, naive imagery, and popular arts and culture.
At the more advanced level, courses are offered in theory and criticism. These courses, with their emphasis on research, writing, and critical evaluation of writings on art, enable students to develop their own critical and theoretical points of view. These courses sharpen the verbal, analytical, and presentation skills needed to present artwork or to pursue a concurrent career in museum or gallery work, writing criticism, collecting or cataloguing artworks, or teaching art history.
Foreign travel has always been one of the richest sources of inspiration for artists. Study trips to foreign countries, sponsored by the art history department, are often offered during the summer and/or winter interim sessions. These trips offer a structured art historical experience in a foreign culture with sufficient freedom for students to explore, photograph, and sketch on their own.